scrapalbum

the shining

2011-04-16T20:00:00.001-06:00

beatniks

2011-04-16T18:08:00.002-06:00

x-files

2011-04-16T17:39:00.003-06:00

the witches

2011-04-16T15:29:00.006-06:00

based on the roald dahl book, staring anjelica huston

gifs - by threeframes

2011-04-16T15:12:00.010-06:00

all by threeframes (click to animate)

carl sagan

2011-04-16T14:26:00.002-06:00

spectacle theatre

2011-04-16T14:21:00.002-06:00

bunraku theatre

2011-04-16T14:15:00.006-06:00

noh theatre

2011-04-16T14:12:00.002-06:00

kabuki theatre

2011-04-16T14:09:00.001-06:00

2001: A Space Odyssey

2011-04-16T14:08:00.004-06:00

elvis

2011-03-23T17:04:00.001-06:00

cool dudes GIF

2011-03-23T16:18:00.003-06:00

rufus wainwright - the art teacher

2011-03-23T16:16:00.001-06:00

babs, cry me a river

2011-03-23T16:08:00.000-06:00

ribbon dance

2011-03-23T15:44:00.001-06:00

itni kisi ki majaal hindi film dance

2011-03-23T15:20:00.003-06:00

ameta dance

2011-03-23T15:02:00.000-06:00

crissie sheridan dance

2011-03-23T14:58:00.003-06:00

loie fuller dance

2011-03-23T14:50:00.004-06:00

witch dance by lady mary wigman

2011-03-23T14:46:00.001-06:00

interpretive dance II

2011-03-23T14:22:00.001-06:00

the sound of music

2011-03-23T14:13:00.003-06:00

givenchy power rangers

2011-03-23T13:40:00.002-06:00

givenchy's latest designs
http://www.style.com/fashionshows/review/S2011CTR-GIVENCHY/

2011-03-23T13:37:00.004-06:00

source - google INTERPRETIVE DANCE

gallery: sprueth magers

2011-03-23T13:29:00.000-06:00

http://www.spruethmagers.com/home
london, berlin
rosemarie trockel, sperling ruby, thea djordjaze

diving horse

2011-03-23T13:19:00.004-06:00

source - google DIVING HORSE

Claire Barclay

2011-01-25T20:40:00.002-07:00

at doggerfish gallery

Tanya Bonakdar gallery, NY

2010-07-11T12:45:00.002-06:00

http://www.tanyabonakdargallery.com/index.php

Residency: Mildred's Lane

2010-07-11T12:39:00.004-06:00

Mildred's Lane is a residency centre run in part by Mark Dion, in Pennsylvania. Deadline April 1.

encampments

2010-06-28T12:29:00.013-06:00

from an old archive of random google searches, some from second life, some from japan (the really tidy squats), some military, some recreation... poverty, parties, pilgrimage, off the grid squats, hippies, some sad, some beautiful.

close encounters of the third kind

2010-06-28T12:02:00.014-06:00

Anish Kapoor texts

2010-06-14T11:03:00.009-06:00

"The important thing is that at a given moment one arrives at illusion. Around it one finds a sensitive spot, a lesion, a locus of pain, a point of reversal of the whole of history, insofar as it is the history of art and insofar as we are implicated in it; that point concerns the notion that the illusion of space is different from the creation of emptiness." -Jacques Lacan, Ethics2

"Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive. I've got nothing particular to say, I don't have any message to give anyone. But it is my role to bring to expression, let's say, to define means that allow phenomenological and other perceptions which one might use, one might work with, and then move towards a poetic existence." Anish Kapoor (AK)

"The practice of 'true making' occurs only when the material and the non-material tangentially touch. The truly made thing pushes us decisively beyond the illustrational, the 'look of the void'; the sign of emptiness expands the limits of available space." -Honi K. Bhabha

"I believe very deeply that works of art, or let's say things in the world, not just works of art, can be truly made. If they are truly made, in the sense of possessing themselves, then they are beautiful. If they are not truly made, the eye is a very quick and very good instrument… . The idea of the truly made does not only have to do with truth. It has to do with the meeting of material and non-material… . [A] thing exists in the world because it has mythological, psychological and philosophical coherence. That is when a thing is truly made…" AK

"The reason I seem to return to the same material possibilities is, I think, because the polished surface is in fact not different from the pigment. In the end it has to do with issues that lie below the material, with the fact that materials are there to make something else possible; that is what interests me. The things that are available, or the non-physical things, the intellectual things, the possibilities that are available through the material… . The material changes… . The method of manufacture is not the point. The question is whether or not an object is well and truly made." AK

"… at the end of the process… there occurs… a very technical thing and very strange thing, all at once… . It's the way in which the stone is not stone, the way the stone becomes something else, becomes light, becomes a proposition, becomes a lens…" AK

"The ceremony of passing through to something else is not the transmission of the 'essence' of stone through light or lens, nor is it the epiphany of the stone transcending all material forms. Trueness lies not in what pleases the eye, nor in what passes through the host of the hand. True making often finds itself in resisting the physical and the transcendental; in bringing to expression, and keeping open, the in-between temporality, that something – the strange sublimity of technique – that locates the object in between the static and the dynamic, in a transitional state..."

Honi K. Bhabha

all quotes are from this text http://www.anishkapoor.com/writing/homibhabha.htm by Honi K. Bhabha

Alex McLeod

2010-06-10T10:13:00.006-06:00

digital renderings
http://www.alxclub.com/

roman signer's table

2010-05-30T15:52:00.004-06:00

roman signer's suitcase

2010-05-30T15:45:00.005-06:00

Rover

2010-05-30T15:40:00.003-06:00

video made in cornwall by rupert white

sculpture's lost in the third dimension

2010-05-19T13:32:00.004-06:00

exhibition review at the serpentine gallery,

sculpture vs installation, sculpture and blobiness:

"Sculpture is something that can be as big as architecture, and yet is useless: it is a house you cannot live in...a tower you cannot climb, a tunnel you cannot crawl through."

http://www.guardian.co.uk/artanddesign/2010/may/12/sculpture

The Codex Seraphinianus: text

2010-05-19T12:48:00.003-06:00

A mystery text encyclopedia...

http://www.believermag.com/issues/200705/?read=article_taylor

text by Justin Taylor

"..what could Serafini possibly have written that, when rendered intelligible, would thrill and engage as thoroughly as all this coquettish impenetrability?"

thanks, k!

Jessica Stockholder texts

2010-05-14T17:49:00.005-06:00

http://www.diacenter.org/exhibitions/introduction/52

dia art foundation

"the knowledge that we have invented our world does not erase the possibility that we might believe in it."- JS

http://www.jca-online.com/stockholder.html

journal of contemporary art

http://www.canadianart.ca/art/features/2005/03/01/289/

canadian art

Jennifer Stillwell

2010-04-06T16:10:00.005-06:00

http://parinadimigallery.com/Site/index.php/artists/works/C25/

Core Residency Center

2010-03-05T15:38:00.003-07:00

http://www.core.mfah.org/home.asp

The Core Residency Center is in Houston Texas

You have to have "completed your education" to attend, which seems to mean having your MFA, but this looks like a pretty awesome residency programme.

Geoffrey Farmer

2010-03-04T12:55:00.005-07:00

http://www.catrionajeffries.com/b_g_farmer_cv.html

Stage set design

2010-03-02T19:24:00.016-07:00

Random Old Timey

2010-03-02T19:14:00.004-07:00

Fireworks

2010-03-02T19:09:00.004-07:00

Volcano Man

2010-03-02T19:08:00.003-07:00

Volcanos

2010-03-02T19:01:00.006-07:00

Man-made movie Volcano

2010-03-02T18:28:00.006-07:00

Simon & Tom Bloor

2010-03-02T18:15:00.003-07:00

http://www.eastsideprojects.org/index.php?/past/exhibitions/

http://www.simonandtombloor.co.uk/page4.htm

congruent triangles

2010-02-25T15:29:00.002-07:00

http://yyyyoooo.tumblr.com/post/339520139/http-en-wikipedia-org-wiki-tektronix-405x

congruent triangles

victorian flower nightmares

2010-02-12T14:05:00.004-07:00

http://www.victorianweb.org/decadence/huysmans/8.html

(kim, i am finally reading the articles you referenced in that paper you wrote for me. this one is awesome and epic and gross.)

Sythnetic Spectres: essay excerpt

2010-02-12T12:02:00.003-07:00

http://www.bluroftheotherworldly.com/essay_marsching.html

Synthetic Spectres: Theses on Anomalies
Jane D. Marsching
Excerpt1: Definitions
From science fiction to theme parks, from government cover-ups to papal succession, from farmyard mutilation to cosmic phenomena, the paranormal reads like a list of hot tabloid secrets. Only the stars are not Elizabeth Taylor or Martha Stewart, but instead everyone from government agents to grandmothers, exorcists to psychics, geologists to meteorologists. The paranormal is not restricted to the alien birth pictures on the cover of Weekly World News, but is on the front pages and headlines of CNN and the Chicago Tribune.
It might seem like there is a resurgence of interest in the paranormal these days. Perhaps it is more likely that anomalies are increasingly apparent. What constitutes an anomaly? On what is its appearance or disappearance predicated? Why do we notice or overlook the paranormal? In what part of our culture does the otherworldly reside? This essay concerns itself with definitions, descriptions, order, and clarification. These words trace a desire to bring to light the ontology of the paranormal, which cannot be achieved without examining our technoscientific culture's compulsive war with the paradoxes of knowledge and blindness.As I write, a new pope, Benedict XVI, has just been installed. This rainy third week of April in Chicago, people traveling through an underpass saw an apparition of Mary in a salt stain on the concrete wall. The image looks a bit like a Cy Twombly chalkboard painting and is, in the AP photo images racing around the web, quite beautiful. The altar below the stain casts a warm glow from countless candle flames. People sit and pray quietly as they look toward the static mark.¹ The image is a touchstone for the relation of technology to the paranormal. Technology brings that which is far close; we might never get to Chicago to see this apparition, but the image is right there in our glowing screens. The digital allows us to see as if we were God, at any time, from any vantage point, and with special powers; people viewing the apparition shot countless photos of it, claiming that the image could be seen more clearly in the camera.² Communications networks connect us to the invisible; most articles about the phenomenon mention the nomination of the new pope as part of the context of this vision, as if Mary appeared in this dark, dirty place to affirm or witness the emergence of a new spiritual leader for Catholics. Technology breaches the divisions between order and disorder; the Catholic Church makes no official statement or approval of this apparition, yet through the Internet, people all over the world are seeing, or sighting, this apparition anyway. Torn between technology and religion, today we are trying to figure out where we stand. In America we live with a politicized religious rhetoric (“faith-based” welfare reform, etc.), which seems to return us to a historical connection with Christianity in our government and personal lives. Yet we are in thrall to The Matrix, which merges the action film genre with questions traditionally relegated to Pax TV, though reset in a hip, surreal language. As when the turn-of-the-nineteenth-century aged Victorian culture tried to wrestle with its social, industrial, cultural upheaval through obsessions with spirituality, mesmerism, and phrenology, contemporary culture seems to be trying to face the encroachment of technology in the fabric of our bodies, homes, architecture, relationships, and every other part of our world. Stories of anomalies, however quickly they flit by our screens, give us opportunities to reexamine and recast our belief systems, whether we choose to allow or outlaw an experience of wonder.
2: Fuzzy Logic
Dictionary definitions of anomaly tend to cluster around asymmetries of inside/outside. Anomalous phenomena are those that have no accepted explanation within the confines of a specific body of scientific knowledge. Words like deviation and departure imply the migration of meaning from a central way station. Descriptions such as peculiar, irregular, abnormal suggest that which resists classification. All these definitions revolve around the magnetic center of the normal or common. In our skies we accept that there are the empirically certain visible objects: stars, planets, meteors. Then there is another class of invisible objects confirmed by science: quasars, pulsars, and black holes. The third category, UFOs, angels, or souls, exists outside the other privileged categories through an elaborate dismissal by institutions of science, the government, the military, etc. But it is precisely through the avenues of those methodologies that believers pass to prove their beliefs. Area 51, home to alien autopsies, reverse alien engineering, and perhaps the body of Kennedy’s real killer, can now be seen on Google’s new Maps service, which allows users to view and navigate high-resolution satellite images. Examinations of its complexes of buildings, mazelike runways, and numerous craters using this state-of-the-art technology give a certain kind of empirical credence to speculations about odd goings-on inside the ultrasecret compound. The technology, developed by the government for military and space science, is turned back on itself. This insidious frottage of inside and outside, of error and fact, of accepted and refused always characterize any discussion of the paranormal.
This is never more the case than when a central figure of our culture comes out in full support of any ideas associated with the paranormal. Near the end of his life, Thomas Edison was quoted in Scientific American as saying, “I am inclined to believe that our personality hereafter will be able to affect matter. If this reasoning be correct, then, if we can evolve an instrument so delicate as to be affected, or moved, or manipulated by our personality as it survives in the next life, such an instrument, when made available, ought to record something”³ He saw séances, Ouija boards, and voice trumpets as crude devices that did not take advantage of current technological innovations. Essentially a technospiritualist, Edison, particularly at the end of his life, was hailed as someone who, in his ability to harness technology through invention, had a unique relation with the powers of nature, even those supernatural. In the 1920s, sketches and plans were made to build a radio device to communicate with the dead, but nothing remains of that pursuit.⁴ Though not a Spiritualist, Edison, known as the Wizard of Menlo Park, lived in a time when popular culture was in thrall to a motley crew of charismatic mediums. Well aware of the emerging industrial market’s dependence upon media spectacle, he was quick to take advantage of turn-of-the-century society’s fear of electricity. In the late 1880s The Edison Electric Light Company’s publicity demonstrations of their new electrical feats occasionally ended with the trappings of a séance, complete with flashes of lighting and glowing skulls.
Electricity had all the hallmarks of an anomalous phenomenon: invisibility, instantaneousness, advanced technical knowledge, unfamiliarity, and a radical shift in lived experience. Suddenly our bodies had a completely different experience of time and space; we could see each other at night as if in full midday sun and just as quickly cast those rooms back into their familiar darkness. Before people had light in their homes and businesses, they attended electrical light spectacles, in which inventors would create elaborate dramatic, sometimes narrative, scenes to popularize and familiarize the public with the new electricity. These spectacles cast electricity in a larger-than-life spectacle, and people quickly leaped to associating electricity with the supernatural, whether God or the spirits of the dead. Half a century later, Swedish artist Friedrich Jürgenson heard some staticky voices amidst birdsong on his reel-to-reel tape recorder. When he played the tape back, he heard “Friedel, my little Friedel, can you hear me?” It was the voice of his dead mother.⁵ Researchers around the world jumped on the phenomenon, and today electronic voice phenomena, or EVP, is the subject of over 25,000 Google hits, novels by Philip Dick and William Gibson, and movies such as White Noise, a 2005 film with the tagline “The dead are trying to get a hold of you.” EVP and related phenomenon are victims of an uncertainty in navigating signal-to-noise ratio in communications technologies. In 1948 Claude E. Shannon, the so-called father of information theory, put forth a way to measure information via a signal-to-noise ratio. “Signal” refers to the wanted information; “noise” is something unintentionally added to the signal: “These unwanted additions may be distortions of sound (in telephony, for example) or static (in radio), or distortions in shape or shading of picture (television), or errors in transmission (telegraphy for facsimile), etc.”⁶ Both signal and noise are information. What determines which is which? Paranormal phenomenon that leak out of our ordinary technologies are condemned as anomalies, as noise. Perhaps our culture’s investigation of anomalies, in science fiction, in the news, and on the Internet, maps a desire to grapple with the uncertain ratio. The perseverance of anomalies gives us a chance to pierce the divide and recast our assumptions about information.

1: CNN.com, April 20, 2005, http://edition.cnn.com/2005/US/04/20/mary. underpass.ap/.

2: Check out this fascinating meditation on the relation between higher powers and virtual spaces: Louise K. Wilson, “Cyberwar, God and Television: Interview with Paul Virilio,” pp. 321–29, in Electronic Culture: Technology and Visual Representation, ed. Timothy Druckery, New York: Aperture, 1996.

3: Scientific American, October 30, 1920, n.p.

4: For more information see http://www.som.org/5A&S/afterlife.htm and http://www.atheists.org/Atheism/roots/edison/interview2.html.

5: http://science.howstuffworks.com/evp4.htm.

6: Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” September, 1949, http://academic.evergreen.edu/a/arunc/compmusic/weaver/weaver.html.

Min Hyung

2010-02-01T21:41:00.006-07:00

http://www.minhyung.com/index.html

Gareth Moore

2010-01-18T11:37:00.005-07:00

http://www.catrionajeffries.com/b_g_moore_works.html

Tricia Middleton

2010-01-18T11:16:00.006-07:00

http://triciamiddleton.net//

New Scientist brainy brain articles

2010-01-11T22:53:00.004-07:00

http://www.newscientist.com/article/mg20427370.500-how-our-brains-build-social-worlds.html?full=true

http://www.newscientist.com/article/mg20527427.100-you-wont-find-consciousness-in-the-brain.html?full=true

Charlotte Salomon

2009-12-22T16:31:00.004-07:00

http://www.exhibit905.info/throughthesketchbook/csalomon.htm
sketchbooks pages

Lebbeus Woods

2009-12-22T16:22:00.006-07:00

http://lebbeuswoods.files.wordpress.com/2008/05/lwblog-line23.jpg

a hobo website?

2009-12-04T21:57:00.002-07:00

http://www.moonlightchronicles.com/

Hobos and a hobo convention

2009-12-04T21:24:00.001-07:00

http://www.northbankfred.com/trampfest.html

Rachell Sumpter

2009-11-24T20:15:00.006-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=1365

Devin Troy Strother

2009-11-24T20:11:00.002-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=1535

Charlie Roberts

2009-11-24T19:49:00.001-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=1487

Brendan Monroe

2009-11-24T19:30:00.004-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=1344

Jacob Magraw-Mickelson

2009-11-20T17:43:00.004-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=852

Jeff Ladouceur

2009-11-20T17:37:00.003-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=652

Mel Kadel

2009-11-20T17:32:00.003-07:00

http://www.richardhellergallery.com/dynamic/artist.asp?ArtistID=44

Amy Bennett

2009-11-20T17:16:00.004-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=1331

Larissa Bates

2009-11-20T17:08:00.004-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=942

Corey Arnold

2009-11-20T17:00:00.003-07:00

http://www.richardhellergallery.com/dynamic/artwork_display.asp?ArtworkID=913

Jennifer Tee

2009-10-21T16:45:00.004-06:00

http://www.teeteetee.nl/tee_work.html

Timothy Leary

2009-10-17T18:24:00.003-06:00

Timothy Leary, a phycologist and psychedelics advocate...

" Dr. Timothy Francis Leary (October 22, 1920 – May 31, 1996) was an American writer, psychologist, futurist, advocate of psychedelic drug research, and one of the first people whose remains have been sent into space. An icon of 1960s counterculture, Leary is most famous as a proponent of the therapeutic, spiritual and emotional benefits of LSD. He coined and popularized the catch phrase "Turn on, tune in, drop out." "

http://en.wikipedia.org/wiki/Timothy_leary

...and internet psychedelics! craaaazy!

http://en.wikipedia.org/wiki/Cyberdelic

Become a Jedi Knight!

2009-10-14T11:37:00.004-06:00

http://templeofthejediforce.org/

Niall McClelland

2009-10-13T09:29:00.004-06:00

http://niallmcclelland.blogspot.com/

http://www.niallmcclelland.com/

Flickr in Banff

2009-10-13T09:12:00.001-06:00

For dozens of photos of mountains, icy blue water, lichen, mushrooms, hikers and wild beasts:

http://www.flickr.com/photos/jeninemarsh/collections/72157622322796725/

temples, altars, shrines and monstrances

2009-10-12T15:23:00.008-06:00

religious iconography and the sites and tools of ritual give me a shiver of visual pleasure and deliver my travelbug a good kick in the pants. my favorite image is maybe the one of the

"jedi temple", which must be from one of those cut-away kid's books, where things are illustrated gorgeously in minute detail, with transparent walls to make doll-houses out of military ships and castles and human bodies.

Byron Harmon

2009-10-04T18:07:00.004-06:00

http://www.soultones.com/pc_harmon.html

postcard photos of the Banff/Lake Louise area by Byron Harmon in the early 1900s

Jason Hackenworth: balloon beasts

2009-10-02T15:48:00.002-06:00

http://beautifuldecay.com/2009/10/01/jason-hackenwerth/

thanks kkk nnn

NASA space parachute test film

2009-09-29T12:58:00.002-06:00

http://www.youtube.com/watch?v=9CuYB_ZjALo

Fischli and Weiss bear and rat films

2009-09-29T10:44:00.003-06:00

Earthquake cloud

2009-09-22T13:33:00.003-06:00

"Earthquake clouds are clouds claimed to be signs of imminent earthquakes. They have been described in antiquity: In chapter 32 of his work Brihat Samhita, Indian scholar Varahamihira (505 – 587) discussed a number of signs warning of earthquakes, including extraordinary clouds occurring a week before the earthquake. In modern times, a few scientists claim to have observed clouds associated with a seismic event, sometimes more than 50 days in advance of the earthquake. Some have even claimed to accurately predict earthquake occurrences by observing clouds. However, these claims have very little support in the scientific community."

http://en.wikipedia.org/wiki/Earthquake_cloud

new blog for sketchbooks

2009-09-03T17:08:00.002-06:00

http://sketchbooked.blogspot.com/
i can't handle putting pictures of my sketchbook doodles on the same page as the crazy amazing shit below... so, here is a blog where i can post my own stuff un-self-consciously and with mad pizazz!

Bo Christian Larsson

2009-08-26T12:13:00.003-06:00

http://www.bochristianlarsson.com/

Charles Avery

2009-08-26T12:07:00.005-06:00

http://www.doggerfisher.com/artists/artistdetail.php?id=39&current=0&imagecount=65

Eggs and Sausage

2009-08-21T23:08:00.004-06:00

Eggs and Sausage, a Tow Waits song,
animated by Jackie Lay on Vimeo.
http://vimeo.com/3046034

Stacey Watson

2009-08-21T00:12:00.008-06:00

http://www.stacey-watson.com/ thanks to kiara and other sharers of art

Rhonda Weppler & Trevor Mahovsky

2009-08-17T17:50:00.006-06:00

http://www.rweppler.com/rwtm/index.html

Aluminum foil cast

Sun in an Empty Room

Fir Veneer Yawl

Michael Hansmeyer

2009-08-17T12:57:00.009-06:00

Ridiculously intricate architectural computery structures based on platonic solids and algorithmics.
http://www.michael-hansmeyer.com/

Blog - A Quickening

2009-08-17T12:34:00.016-06:00

A grab bag of neat art links (THANKS KIM! YOU ARE SWELL!)
http://aquickening.wordpress.com/

Ying-Yueh Chuang

2009-08-17T12:01:00.009-06:00

Ceramic Organicish Objects
http://www.yingyuehchuang.com/gallery.html

Art Barge

2009-08-13T12:32:00.005-06:00

A floating artist hippy commune/escape/residency/installation in a NY harbor.
http://www.nytimes.com/2009/08/13/arts/design/13barge.html?pagewanted=1&_r=1

Liz Miller

2009-08-12T16:49:00.006-06:00

http://www.lizmillerart.com/

Taxonomy

2009-08-11T21:00:00.007-06:00

New York Times article,
Reviving the Lost Art of Naming the World by Carol Yoon
http://www.nytimes.com/2009/08/11/science/11naming.html

Matthew Cusick

2009-08-05T17:58:00.016-06:00

http://www.mattcusick.com/index.php

Website update

2009-08-05T17:29:00.009-06:00

My website has been updated
(thanks to Andrea Williamson)
and now you can see pictures of
more recent stuff, framed by
a nice simple, eye pleasing,
soothing yet stimulating layout.

making art in an elk fight

2009-08-05T17:23:00.009-06:00

I'll be attending the Wanderer
residency at the Banff Centre
in September, which is apparently
elk fighting season. I will make art,
go for hikes, drink wine and watch
elk battle to the death over a
hot cup of cocoa.

cable tie cocoons

2009-08-05T17:18:00.003-06:00

http://www.yankodesign.com/2008/08/11/the-third-space/

Ernst Haekel

2009-08-05T17:11:00.008-06:00

http://www.core.form-ula.com/2008/04/03/ernst-haeckel-collection/
http://www.flickr.com/photos/8507144@N08/sets/72157604363217000/

Audubon

2009-08-05T17:01:00.006-06:00

http://en.wikipedia.org/wiki/John_James_Audubon